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Cultural Internationalism and World Order, by Akira Iriye
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As the nineteenth century became the twentieth and the dangers of rampant nationalism became more evident, people throughout the world embraced the idea that a new spirit of internationalism might be fostered by better communication and understanding among nations. Cultural internationalism came into its own after the end of World War I, when intellectuals and artists realized that one way of forging a stable and lasting international peace was to encourage international cultural exchange and cooperation.
In Cultural Internationalism and World Order, noted historian Akira Iriye shows how widespread and serious a following this idea had. He describes a surprising array of efforts to foster cooperation, from the creation of an international language to student exchange programs, international lecture circuits, and other cultural activities. But he does not overlook the tensions the movement encountered with the real politics of the day, including the militarism that led up to the World War I, the rise of extreme strains of nationalism in Germany and Japan before World War II, and the bipolar rivalries of the Cold War.
Iriye concludes that the effort of cultural internationalism can only be appreciated only in the context of world politics. A lasting and stable world order, he argues, cannot rely just on governments and power politics; it also depends upon the open exchange of cultures among peoples in pursuing common intellectual and cultural interests.
- Sales Rank: #115959 in Books
- Color: Other
- Brand: Brand: Johns Hopkins University Press
- Published on: 1997
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .57" w x 5.25" l, .66 pounds
- Binding: Paperback
- 212 pages
- Used Book in Good Condition
Most helpful customer reviews
7 of 7 people found the following review helpful.
A Unique and Important Approach to International Relations
By Rotpeter
Iriye has bravely gone beyond the realist notion of international relations to explore what all of us (or almost all?) instinctively find lacking in that notion: the ubiquitous cultural atmosphere in which all states and peoples interact. Precisely because it is an atmosphere, it is difficult to grasp, let alone explain cogently. Iriye does both, especially in the first two chapters charting the rise of intellectual movements across borders. That rise is also admirably quantified (e.g. the proliferation of international organizations), but ironically, the reader is left wondering just how vital conferences, declarations, and so forth have been and will be for cultural internationalism. Are these the catalysts or the results of globalism? And what are their respective weights in history? As revealing as, say, UNESCO's founding was after WWII, it is surely not the whole story.
That said, Iriye does not claim that this book is the final word on the subject, only the beginning of a new approach to modern history. His beginning is rewarding, and the approach overdue.
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