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By the spring of 1970, Americans were frustrated by continuing war in Vietnam and turmoil in the inner cities. Students on American college campuses opposed the war in growing numbers and joined with other citizens in ever-larger public demonstrations against the war. Some politicians—including Ronald Reagan, Spiro Agnew, and Richard Nixon—exploited the situation to cultivate anger against students. At the University of California at Berkeley, student leaders devoted themselves, along with many sympathetic faculty, to studying the war and working for peace. A group of art students designed, produced, and freely distributed thousands of antiwar posters. Posters for Peace tells the story of those posters, bringing to life their rhetorical iconography and restoring them to their place in the history of poster art and political street art. The posters are vivid, simple, direct, ironic, and often graphically beautiful. Thomas Benson shows that the student posters from Berkeley appealed to core patriotic values and to the legitimacy of democratic deliberation in a democracy—even in a time of war.

• Sales Rank: #2146825 in Books
• Published on: 2015-05-12
• Original language: English
• Dimensions: 10.00" h x .40" w x 7.00" l, .0 pounds
• Binding: Hardcover
• 200 pages

Review
“With Posters for Peace: Visual Rhetoric and Civic Action, Thomas Benson generously shares an archival treasure trove with readers. By itself that might be enough, but Benson doesn't stop there. He offers a thoughtful and sophisticated rhetorical analysis of the posters that reads them in historical context, elaborates the visual traditions from which they drew their representations, and considers how viewers of the era might have responded to them. In doing so, he makes a compelling case for the posters' rhetorical importance, both then and now. The book skillfully models the practice of visual rhetorical history for students and scholars alike.”
—Cara Finnegan, University of Illinois
“Thomas Benson has rediscovered and shared a treasure of poster art, along with some history, brilliantly told.”
—Tom Hayden
“Long before there was a subdiscipline called ‘visual rhetoric,’ Thomas Benson was probing the rhetorical dimensions of visual images. His books on the films of Frederick Wiseman and on political documentaries set the standard for rhetorically informed criticism of documentary film. Now Benson has turned his attention to the political protest posters that appeared in Berkeley, California, throughout the tumultuous year of 1970. Benson was a visiting assistant professor at UC–Berkeley during the 1969–70 academic year, where he witnessed firsthand the distribution and placement of many of the posters he examines in this book. He places the posters in their political, cultural, social, and rhetorical contexts, and he engages in a close reading that uncovers the layers of meaning and significance that were clear to the creators at the time of production but which now, almost forty-five years later, are often lost in the mists of time. This is a masterful work of recovery that reminds us anew of that time when the whole world was watching.”
—Martin J. Medhurst, Baylor University
“Thomas W. Benson's Posters for Peace examines numerous political posters that circulated in Berkeley, California, in 1970 during intense controversies over the Vietnam War and racism. Benson’s critical approach features close examination of the posters in combination with creative comparisons in order to explore their visual rhetoric in the national scene. To develop his central argument, he traces earlier sources of consequence pertaining to posters as a rhetorical medium with an international history. Benson's book offers his readers a wealth of previously unstudied primary materials, which are featured and catalogued in the course of his careful history and criticism of the protest rhetoric.” --Lester C. Olson, University of Pittsburgh

About the Author

Thomas W. Benson is Edwin Erle Sparks Professor of Rhetoric at The Pennsylvania State University.

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• Sales Rank: #5260565 in Books
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• Sales Rank: #2425878 in Books
• Published on: 2013-06-24
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.77" w x 5.43" l, 2.70 pounds
• Binding: Hardcover
• 952 pages

About the Author
Tiziano Dorandi is Directeur de recherche at the CNRS (Centre Jean Pépin, UPR 76) in Villejuif, France.

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• Sales Rank: #3245637 in Books
• Published on: 2015-01-31
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.05" w x 7.00" l, 1.69 pounds
• Binding: Paperback
• 444 pages

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• Sales Rank: #567275 in Books
• Published on: 2016-10-11
• Original language: English
• Dimensions: 8.50" h x .10" w x 8.50" l,
• Binding: Paperback
• 40 pages

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This concise, introductory text focuses on the basic principles of biochemistry, filling the gap between the encyclopedic volumes and the cursory overview texts. Principles of Biochemistry, 4/e has a well-deserved reputation for being the most accurate biochemistry textbook in the market. Widely praised in its previous edition for currency, and clarity of exposition, the new edition has been thoroughly revised and updated to reflect recent changes in this dynamic discipline.

• Sales Rank: #350884 in Books
• Published on: 2005-07-09
• Original language: English
• Number of items: 1
• Dimensions: 11.20" h x 1.30" w x 8.80" l, 4.34 pounds
• Binding: Hardcover
• 896 pages

From the Publisher
A concise, introductory text that fills the gap between the standard encyclopedic volumes and the cursory overview texts. Widely praised in its previous edition for its accuracy, currency and clarity of exposition, the new edition has been thoroughly updated and revised to reflect recent changes in this dynamic discipline.

From the Back Cover
This accurate and up-to-date book focuses on the basic principles of Biochemistry, with carefully selected examples of each. The areas of greatest change since the second edition are lipid metabolism, oxidative phosphorylation, and protein metabolism. Includes stereo views of many macromolecules; computer supplement; a section on molecular evolution; protein structures; molecular evolution; and developments in the area of gene expression, including the structure of RNA polymerase, the structure of the ribosome, genome organization, repair mechanisms, regulation of transcription and translation, and the structure and evolution of aminoacy1-tRNA synthetases. For readers interested in Biochemistry.

About the Author

H. Robert Horton. Dr. Horton, who received his Ph.D from the University of Missouri.in 1962, is William Neal Reynolds Professor Emeritus and Alumni Distinguished Professor Emeritus in the Department of Biochemistry at North Carolina State University, where he served on the faculty for over 30 years. Most of Professor Horton's research was in protein and enzyme mechanisms.

Laurence A. Moran. After earning his Ph.D from Princeton University in 1974, Professor Moran spent four years at the Universite de Geneve in Switzerland. He has been a member of the Department of Biochemistry at the University of Toronto since 1978, specializing in molecular biology and molecular evolution. His research findings on heat-shock genes have been published in many scholarly journals.

Raymond S. Ochs. Professor Ochs, who earned his Ph.D from Indiana University, is a Professor in the Department of Pharmaceutical Sciences at St. John's University. He is an expert on metabolic regulation and has edited a monograph on this topic—Ochs, R. S., Hanson, R. W., and Hall, J., eds. Metabolic Regulation (1985, Elsevier)—and authored and coauthored numerous research papers and reports.

J. David Rawn. Professor Rawn, who received his Ph.D from Ohio State University in 1971, has taught and done research in the Department of Chemistry at Towson State University for the past 25 years. He did not write chapters for Principles of Biochemistry, but his textbook Biochemistry (1989, Neil Patterson) served as a source of information and ideas concerning content and organization and the use of stereo images to illuminate molecular structures and conformational change.

K. Gray Scrimgeour. Professor Scrimgeour received his doctorate from the University of Washington in 1961 and has been a faculty member at the University of Toronto since 1967. He is the author of The Chemistry and Control of Enzymatic Reactions (1977, Academic Press), and his work on enzymatic systems has been published in more than 50 professional journal articles during the past 40 years. From 1984-1992, he was editor of the journal Biochemistry and Cell Biology.

Most helpful customer reviews

1 of 6 people found the following review helpful.
Good product.
By 4NeedShopper
I purchased this product in good condition here on Amazon and was able to sell it in good condition on Ebay. It was not new, but because I needed it for a class it was functional, it had all pages and every page was legible.

2 of 11 people found the following review helpful.
Principles of Biochemistry--Horton
By Platinum_blonde
Just the book I needed! Has lots of colorful pictures which is helpful with all those twisty-turny proteins and amino acids!

9 of 9 people found the following review helpful.
Biochemistry text that leans more on the chemistry side...
By Lucy Cat
This book was adopted by my university for a senior level / first year graduate level biochemistry course. It is well written and contains no messy jargon. Literally all of the text is useful information. In addition, it is concise.

My chief complaints about the book are: 1) the illustrations require substantial updating to be compared to what is presently available even in inferior texts. 2) it lacks clinical/biological correlations and focuses instead on the quantitative nature of biochemistry (acid base calculations etc) Clinical correlations are certainly essential to applying biochemistry concepts. If this book had either or both of these two items, it would have earned 5 stars from me!

Instead, I recommend the following texts:

- Biochemistry: outstanding illustrations and concept coverage.

- Marks' Basic Medical Biochemistry: A Clinical Approach: outstanding clinical correlations with concise concept coverage and good illustrations (although not in full color)

- Lehninger Principles of Biochemistry, Fourth Edition: outstanding text and illustrations!

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[I325.Ebook] Download The Alchemaster's Apprentice: A Novel, by Walter Moers

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The first three books set in Zamonia the mythical land created by Walter Moers, whose work has been compared to J.K. Rowling, Douglas Adams, and Shel Silverstein have achieved raucous critical acclaim and created hundreds of thousands of die-hard fans here and all over the world. Now Moers returns with a fourth "relentlessly whimsical" fantasy (Library Journal).

• Sales Rank: #563473 in Books
• Brand: Brand: Overlook
• Published on: 2010-08-31
• Released on: 2010-08-31
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .85" w x 6.00" l, .92 pounds
• Binding: Paperback
• 384 pages

Features

• Used Book in Good Condition

From Publishers Weekly
Starred Review. Moers's elegantly written fourth stand-alone comic fantasy set in Zamonia (after 2008's The City of Dreaming Books) takes us to the city of Malaisea, where everyone is sick except for two characters: Echo, a Crat (a talking cat, more or less), and Ghoolion, an evil alchemist likely responsible for Malaisea's afflictions. Crat and alchemist cross paths when the starving Echo is offered a month of food, entertainment and alchemical secrets, after which Ghoolion will kill him to boil down his fat. Ghoolion proves a magically masterful chef, and Echo quickly becomes fascinated by Ghoolion's work, particularly the morphic meals that seem to transform Echo into different creatures. Secrets are revealed, old bodies unearthed and strange allies made in this entrancing tale of darkness, determined survival and incredibly luxurious cuisine. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Walter Moers

"Incredible level of imagination, stunning artwork, twisted, wild, brutally humorous Moers as a storyteller is a true original, a one-off whose sensibility and talent cannot be duplicated. Absolutely magnificent."
-Jeff VanderMeer for Omnivoracious

"Equal parts J.K. Rowling, Douglas Adams, and Shel Silverstein."
-Washington Post

"This is a children's book for adults who want to remember the joy of youth, but want more complexity."
-Philadelphia Weekly

"Cheerfully insane. Remains lively and inventive right through the final heroic battle between good and evil."
-The New York Times Book Review

"Moers's great strength, as evidenced by the multitude of characters he presents, is his creativity. Less a text and more an imagination on paper."
-Philadelphia Enquirer

"A yarn of drollery, deeper meaning and sheer lunacy."
-Rolling Stone

About the Author
Walter Moers is the author of The 13 1/2 Lives of Captain Bluebear, Rumo, A Wild Ride Through the Night, The City of Dreaming Books, and The Alchemaster's Apprentice, all published by Overlook.

John Brown is the award-winning translator of Walter Moers, Michael Ende, and many other German writers.

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12 of 12 people found the following review helpful.
A Fiendishly Dark Zamonia
By The Mad Hatter
Accompanied by dozens of illustrations by Moers The Alchemaster's Apprentice is the fourth Zamonia novel after The City of Dreaming Books ,which keeps to the same high quality as previous books. The series to this point has been far sweeping stories that explore the lost continent whether it be across the land or under it, however the latest entrant breaks from that mold as it stays in the just one place, which is the unhealthiest city in Zamonia, Malaisea, where the resident Alchemaster Ghoolian reigns over the sickly populace. The Alchemaster's Apprentice is the most intimate and shortest tale to date, but is no less entertaining for its brevity. As with all Moers books it centers on one character's life story, in this case Echo the Crat. A Crat looks like a cat but has the special ability of being able to speak to any creature and retain any knowledge told.

We meet Echo as he is starving on the streets of Malaisea since his former owner passed away. Ghoolian comes across the begging Echo and strikes a bargain to feed him for a month with the most sumptuous food from all over Zamonia. At the end of the month the Crat will give up his life in order for his fat to be rendered for the Alchemaster to use in his experiments. At the time it seems like a good bargain for the slowly expiring Crat, but he quickly changes his mind. In one sense The Alchemaster's Apprentice is still a tour Zamonia only it focuses on the culinary and magical sides of the world, which Ghoolian has been amassing for decades in his home. Ghoolian houses Echo in his ancient castle that holds as many wonders as the rest of Zamonia, many of which can no longer be found elsewhere.

This is not the bloodiest Zamonia tale, which was Rumo, but it is the most morbid of the lot as Ghoolian likes to perform taxidermy of myriad creatures and he is all about boiling creatures down to balls of fat along with having a deep disdain for most living creatures. Moers plays with the Ghoolian character trying to give him many sides to his dark face to keep Echo guessing what is truly inside him which works fairly well and leads to some good surprises towards the end. Echo explores the castle as well as the town where we get to meet a marvelous yet small supporting cast of odd creatures including a friendly ghost, a lonely toad, and a great Uggly Witch. I don't say Uggly to deride the character's looks, which while atrocious is actually her species name.

The Alchemaster's Apprentice is a dark fairy tale for adults that keeps you laughing even through the most gruesome of parts. The ending was a bit expected, but the journey to get there what the fun is all about. I give The Alchemaster's Apprentice 9 out of 10 Hats. I'd recommend reading at least The 13 1/2 Lives of Captain Blue Bear before this one; although all the Zamonia books are written as standalones with no main character reappearing yet having read previous volumes does help with knowing many of the references to different places and species. Moers shows that he is in nowhere near running out of stories for Zamonia and nor should he. I for one hope he can turn out as many novels as Pratchett has done with Discworld.

4 of 4 people found the following review helpful.
Marvelous, creative story-telling.
By J. Hulet
First, my hearty thanks to the translator. I saw Walter Moers's previous novel, The City of Dreaming Books, in the Berlin Airport in German. As a German linguist, I can't imagine how difficult it must be to translate prose like this. Simply amazing.

Moers takes us back into the world of Zamonia, but this time to a completely different city and with all-new characters. You don't really need to have read the first book because he takes time to re-establish your knowledge as the story flows. The Alchemaster's Apprentice is really a wonderful, if slightly darker, addition to the Zamonian world. Moers weaves a deft plot that is full of interesting, heavily detailed sidelights that really make for a wonderful read.

Our hero, Echo, is a Crat, which is much like a cat only with special abilities. Echo is swept into the life of an incredibly talented (but equally demented) Alchemaster, Ghoolian. An Alchemaster is something between a magician and an alchemist, combining equal parts artistic madness and scientific rigor. In the City of Malaisea, a wonderfully interesting relationship between Echo and Ghoolian takes us on a month-long journey and a roller-coaster ride of a story.

Moers once again plays with many different concepts and cobbles together a comprehensive picture of each character. His ability to turn concepts like alchemy on their ear, and to invent whimsical combinations of science and nonsense that make sense within the story, is truly remarkable. Moers has a lot of fun ideas about how to make certain alchemical processes work, and draws a comparison between alchemy and culinary mastery. Even when the story grows darker, it is written with a joy that keeps the grimmer aspects from putting off the reader.

I enthusiastically endorse The Alchemaster's Apprentice for young adults and adults alike. Walter Moers's talent for taking the mundane and making it magical is reminiscent of some of the early XANTH books by Piers Anthony, but Moers doesn't have to rely on puns and other cheap humor in order to entertain. He simply creates something sublimely interesting from what might seem like an overused subject in the hands of a less-skilled author.

0 of 0 people found the following review helpful.
This is a great fantasy novel in all the best ways
By Kris Sanderson
This is a great fantasy novel in all the best ways. I found myself comparing it a little bit to a Terry Pratchett or Neil Gaiman with a dash of Douglas Adams. Originally written in German, it definitely has the feel of a traditional fairy tale a la the Brother's Grimm.

The story revolves around Echo the Crat (yes, Crat, that is not a spelling error) who has been captured by the local Alchemaster of Malaisea, his name is Ghoolion, and Echo is being held and fattened up so that the Alchemaster can obtain his fat for his potion library.

As the story rolls along, we find out more about Ghoolion and how Malaisea became the illness capital of the Kingdom of Zamonia. We find out more about Echo and what it means to be a Crat. Echo has the opportunity not only to eat to his hearts content, but also to explore Ghoolion's castle – a place the locals fear and dread.

Along the way, Echo makes friends with Leathermice (a vampiric race of mice/bats), Theodore T. Theodore (an owl with a speech impediment), Cooking Ghosts, a Snow White Widow, Ugglies, a mossback Toad and a whole host of other fantastical residents of Malaisea. There is a method and means to Ghoolion's madness that unfolds as the story unfolds.

I try to read widely and from all genre's. This book was given to me as a gift and I am glad I got it because I doubt I would have grabbed it off the shelf under my own volition. You know how it is – you go to your favorite bookstore and you tend to gravitate to those shelves that usually yield you a reliable selection. I am not a discerning enough fan of fantasy to always grab these novels, so often, I am introduced to authors through friends giving me gifts or making recommendations.

I have also discovered something about readers – unless they are fantasy fans from the outset, many readers are adamantly opposed to dipping their toes into this genre. I'm not sure why. Partly I think it comes from an inability or unwillingness to suspend belief. Partly because readers feel that the fantasy genre somehow translates to children's writing. Another(no offense intended here) the genre is associated with fan geeks. For me, it has been because there aren't many stand alone pieces in the genre. They all revolve around a series and one feels that once you have committed to one book, you just have to read the rest.

This is the beginning of a series. However, I would be very comfortable in advising those who find the ideas and story intriguing, that it can be read as a stand alone novel. There is resolution at the end of the story as well as an opening for future works. And for those who love the genre, there are future works.

The other thing I loved about this story is that it is written by a European author and translated into English. I always find it refreshing to read authors who are from other countries. Their viewpoint on the world enriches me as a reader and engages my imagination as a writer to explore the world in different ways.

This is a book for all ages. It can be read to children (although there are some parts that small children would consider frightening or scary.) It is a great novel for an older elementary schooler to cut their teeth on in adult fiction. It is great for adults because the story is engaging and fun with a bit of black humor. An easy 4 stars for all to enjoy.

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